Cynfas

The Try that Beat the All Blacks

Gareth Rhys Owen

20 November 2025 | Minute read

A square chalk pastel artwork of a man in a red rugby shirt diving over the try line to score a try.

GILLETT, Frank, The Try That Beat the All Blacks © Amgueddfa Cymru - Museum Wales

120 years ago, on the 16th of December 1905, a momentous game of rugby was played on the field of the Cardiff Arms Park between Wales and the All Blacks of New Zealand. Refereed by Scotland referee John Dallas, the game was played in front of a crowd of over 40,000 people. Welsh winger Teddy Morgan dives across the try line giving Wales the lead over the All Blacks before half-time. The All Blacks had never lost a game, but on this occasion Wales won 3-0. This match is not only significant because of the scoreline but also because the Welsh team and supporters, led by winger Teddy Morgan responded to the All Blacks' performance of the haka with Hen Wlad Fy Nhadau, the national anthem. This was the first time the national anthem was sung before a sporting event.

With Wales about to welcome the All Blacks to Cardiff once more, this time at the Principality Stadium in Cardiff on the 20th of November, Amgueddfa Cymru invited sports presenter and commentator Gareth Rhys Owen to respond to this work by Frank Gillett, and that momentous day in Cardiff 120 years ago.

Gareth Rhys Owen is a sports presenter and commentator with the BBC, specialising in rugby. He fronts live coverage across BBC Wales and BBC Sport, anchors the weekly Scrum V podcast, and is a familiar voice on major fixtures from the URC to international Test matches.

Transcript

I'm Gareth Rhys Owen. I'm a presenter and a commentator for the BBC, specialising mostly in rugby. So it's a square painting chalk pastel of Teddy Morgan scoring a try against the All Blacks - we'll get to that in a second - but it's dated Cardiff December the 16th, 1905. I think the first thing that strikes me, and I presume it was done almost as an illustration as opposed to an actual painting, is actually the detail of it and its quality as a piece of art.

Actually, it stands as ground and holds pretty well. It's a lovely painting more than anything else because the dark colours of the crowd and that kind of fades into the black of the All Blacks and the mud and the black shorts. There's a lot of movement in the picture. It's dramatic, it's also quite glum that the darkness of the black and the mud sort of contrasts with the striking red of Teddy Morgan's shirt and the green of the pitch. To look at it's a really nice painting. I think forget about the historical value first. I just think it's quite a dramatic and interesting piece of work. So that's what hits you, first of all, because I was a bit worried that it was going to just be a bit naff until you see it! And it's not, isn't it?!

It's weird, isn't it? 2025 - and it's so infrequent that Wales beat the All Blacks. And I can say this with confidence it won't happen this year. And it's the fifties is the last time Wales beat New Zealand. So it's a moment in time. The time Wales beat the All Blacks: Cardiff did it, Scarlets did it. Wales have done it a handful of times. So for us as a society, this is a notable moment in time because Wales beat the All Blacks, but there's such a wider context to it for this particular moment. The match of the century as it's known, take it from the All Blacks perspective: they had a team that were the 'originals' is how they're remembered they're the original, the OG New Zealand rugby team where until then, clearly because of how long it takes to sail from the other side of the world, teams rarely faced each other. So people didn't really know much about New Zealand and how mighty they were, and they came to Europe at the turn of the century and they just steamrolled every other team. But they lost one game and this was it: three nill - scoring system very different now to what it was then. Look at the shape of the ball. It's almost round and Teddy Morgan scoring the try. So this is historically a very famous game if you are a Kiwi, but if you're Welsh, there's so much to it. I've spoken already about the impact it had on Wales as a sporting nation. Sadly, that we still refer back to it 120 years later. But the larger impact it has on us as a society is due to what happened pre kick off.

The All Blacks turn up. They do the haka - the haka is very different then to what it is today. Far less dramatic, far less imposing. Almost a social get together. But the crowd reacted that day and they responded to this pre-match ritual that was performed regularly by that side from the other side of the world. So the Welsh crowd began singing and they began singing Hen Wlad Fy Nhadau. And to this day it's thought that that was the day where the anthem was born in terms of being sung at a sporting event, but not just, as I understand it, not just for Wales, but the idea that happened all around the world. This is the first recorded example of a nation, of a crowd singing a song to inspire their team that would later become the national anthem of that said Country.

Yeah, it's a very important piece of history, I guess, in that. And it's also important recent, yet not that recent history. It kind of like, you know you look at at the the shape of the players, the crowds it's it's of the Victorian era almost, certainly pre-war. that people cannot reflect on resonate with directly at the same time the knock on effect of what happened that day is still very much felt today in 2025 and come the game in the end of November 2025, you'll see it happen because the All Blacks will rock up confident full of struts and they'll bang at the haka and the best we can do as Welsh people is at least respond with vigour with our singing, even if there's very little hope of us responding with any real impact on the pitch.


Share

More like this

Megan Winstone: A Love Letter to the Valleys
Amgueddfa Cymru - Museum Wales
Iron gall ink
Jen Bowens, Paper Conservator, CELF
New commission: From land to Fire, 2025
Andrea Powell, Glynn Vivian Art Gallery
New commission: From land to Fire, 2025
Andrea Powell, Glynn Vivian Art Gallery
Going to Africa
Isabel Adonis
Grisaille I-III
Charlotte Grayland
Time is Money
Anne Brierley
The Waning
Rachel Helena Walsh
Look at me Dylan
Lynn Stuart
National Library of Wales: Meet the team
The National Library of Wales
Teimlo
Efa Blosse-Mason and Karina Geddes
Wrth Ymyl y ffin
Paul Eastwood
Saunders Lewis
Paul Eastwood and Owain Lewis
Sugar Coated
Jasmine Violet
Wooden Boulder 1978-2015
Newport Museum and Art Gallery
Studio with Gloves at Storiel, see Library’s Collection in a New Space
Phoebe Murray-Hobbs, Community Loans Officer, National Library of Wales
Personal Landmarks
Michal Iwanowski
Art in Hospitals: Powys Teaching Health Board
Sara Treble-Parry, Steph Roberts and Siân Lile-Pastore
Upstream
Julian McKenny
Small Seascape
Lucy Purrington
Thyrza Anne Leyshon: The Welsh Miniature Portrait Painting Icon
Imogen Tingey, Exhibitions Assistant, Glynn Vivian Art Gallery
Designing Welsh GIFs
Sioned Young, Mwydro
Artcadia
Barbara Bartl, Museum and Art Gallery Manager, Newport Museum and Art Gallery
Walking Home
Dagmar Bennett
The Wakelin family: supporting contemporary artists for 25 years
Andrea Powell, Exhibitions Assistant, Glynn Vivian Art Gallery
Helen Sear (b.1955)
Mari Griffith
David Nash (b.1945)
Mari Griffith
The Great Welsh Coal War
Maddie Webb, Works on Paper Curator, Amgueddfa Cymru - Museum Wales
A Sense of Place
Jon Pountney
Toriad
Ffin Jordão
Conserving George Poole’s Paintings
Sarah Bayliss, Senior Paintings Conservator, Amgueddfa Cymru - Museum Wales
Frank Auerbach: Head of E.O.W
James Milne, CELF Art Technician, Photography by Rhian Israel, CELF
Ymson ar draeth
Iestyn Tyne
Tyrrau Mawr in Llanbedrog
Gwyn Jones, Alex Boyd Jones, Zoe Lewthwaite, Plas Glyn-y-Weddw
Working with an artist
Rhian Israel, Photography Officer, CELF
Craft Festival Town Trail
Rachel Vater, Gallery Assistant, Oriel Myrddin
Panopticon
Tina Rogers
The Everyday
Ayesha Khan
Maps, art and decolonisation
Ellie King, Assistant Maps Curator, National Library of Wales
Decolonising the National Art Collection
Morfudd Bevan, Art Curator, National Library of Wales
Idyll and Industry: Curating the exhibition at the National Library of Wales
Mari Elin Jones, Interpretation Officer, National Library of Wales
Under Falling Water
Geraint Ross Evans
An Elevated View
Geraint Ross Evans
'Arhoswch adre'
Gwynfor Dafydd
Protest Postcards
Osian Grifford
David Garner: Weeping
Nicholas Thornton and Ceri Jones, Amgueddfa Cymru - Museum Wales
Storiel: Artist Commissions
Esther Elin Roberts, Visual Arts Officer, Storiel
Scrap Fabric Collage
Ella Louise Jones
Teulu (Family)
Ffion Rhys, Curator, Aberystwyth Arts Centre
Teulu (Family) Exhibition, Aberystwyth Arts Centre
Ffion Rhys, Curator and Elin Vaughan Crowley, Artist - Aberystwyth Arts Centre
Oriel Myrddin: Artist Commissions
Rachel Vater, Oriel Myrddin
Arnofio
Arddun Rhiannon
Geng Xue (b.1983)
Mari Griffith
New poems by pupils across Wales
Sean Kenny, Senior Learning Officer, Amgueddfa Cymru - Museum Wales
Dhruva Mistry: From study to sculpture
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
Behind the Scenes: Conservation
Sarah Bayliss and Kitty Caiden, Amgueddfa Cymru - Museum Wales
Con Brio Centrepiece: A P&O Makower Trust commission
Andrew Renton, Head of Design Collections, Amgueddfa Cymru - Museum Wales
Cyfoes Exhibition: National Library of Wales
Morfudd Bevan and Nia Dafydd, National Library of Wales
Artes Mundi 10: A new work for the Derek Williams Trust and Amgueddfa Cymru
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
Yr Eda
Llio Maddocks
Comparing two artists: John Selway and Denys Short
Nicholas Thornton, Head of Fine and Contemporary Art, Amgueddfa Cymru - Museum Wales
A new acquisition: David Shrigley's Pulped Fiction
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
New British Sculpture of the 1980s
Jennifer Dudley, Art Collections Management and Access Curator, Amgueddfa Cymru - Museum Wales
Broken Yet Beautiful
Apekshit Sharma, Curatorial Intern, Amgueddfa Cymru - Museum Wales
Five Minutes
Mari Ellis Dunning
Swyn I
Efa Lois
Gesiye (b. 1992)
Mari Griffith
Pendant
Lydia Niziblian
Smatters of the Heart
Tanyaradzwa Chiganze
What Can you Do in a Gallery?
Sean Kenny, Senior Learning Officer, Amgueddfa Cymru - Museum Wales
Hands on Heritage: Demystifying Acquisitions
Neil Lebeter and Umulkhayr Mohamed
The Rules of Art? A discussion with artist Caroline Walker
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
Welsh Football and Art
Sean Kenny, Senior Learning Officer, Amgueddfa Cymru - Museum Wales
The Rules of Art?
Neil Lebeter