Towards Lavernock Winter/Spring '93/94
SETCH, Terry
The artist has used sand, mud, oil and rubbish washed up on the beach at Penarth as well as more familiar drawing and painting materials. Embedded in the panels are eight versions of another artist's response to the same landscape: Alfred Sisley's 'The cliff at Penarth' of 1897. The inherent physical instability of Setch's painting intensifies his themes of passing time, the fragility of the coastal environment and its constant transformation.
We have a duty of care to all our audiences. This website draws on legacy collections data. We recognise that some of this information may be outdated or discriminatory and we're currently working to review our records. If you have any questions or comments on an artwork, please contact us.
Copyright statement provided by Amgueddfa Cymru – Museum Wales
Details
Collection
Amgueddfa Cymru – Museum Wales

Item Number
NMW A 5625
Creation/Production
SETCH, Terry
Date: 1994
Acquisition
Purchase, 17/10/1997
Techniques
Mixed media on board
Techniques (fine art)
Art dept - fine
Fine Art - painting
Material
Mixed media
Synthetic backing board
Location
on display
Tags
Share
More like this
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
Amgueddfa Cymru - National Museum
HITCHENS, Ivon
© Estate of Ivon Hitchens. All Rights Reserved. DACS 2025/Amgueddfa Cymru - Museum Wales

Amgueddfa Cymru - National Museum