Projects & Exhibitions

Tigers & Dragons: India and Wales in Britain

Glynn Vivian Art Gallery

13 May 2025 | Minute read

24.05.2025 - 02.11.2025

Glynn Vivian Art Gallery is delighted to present Tigers & Dragons: India and Wales in Britain, an extraordinary exhibition that delves into the deep-rooted connections between the Indian Subcontinent and Wales.

SULEMAN, Adeela, Imperium Amidst Opium Blossoms: A Kashidakari on the era of the East India Company, 2025 ©Adeela Suleman

Courtesy of the artist.

Tigers & Dragons explores the iconography of South Asian nations and Wales; examining how they have imagined themselves—or been imagined—over the centuries. If India was the Jewel in the Imperial Crown, could we argue that Wales was England’s first colony? As Wales struggles for its identity within ‘British-ness’, it is timely to re-assess the way it contributed to, benefited from and, even, suffered for Britain’s Imperial ambitions. The show investigates the British Empire’s legacy and its continuing relevance for Welsh identity as well as for India, Pakistan and Bangladesh.

Amgueddfa Cymru - National Museum
Lakshmi
KALIGHAT WORKSHOP,
© Amgueddfa Cymru - Museum Wales

The exhibition features over 100 artworks – paintings, photographs, performances, textiles, sculptural installations and new media – by roughly 70 artists from Wales, England, India and Pakistan. Historic and contemporary loans are drawn from private and public collections, including National Museum Cardiff, National Library Wales, National Trust’s Powis Castle and the Bristol Museum’s British Empire & Commonwealth Collection. Loans are supported by the Weston Loan Programme with Art Fund. Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.

NOWLAN, Frank, James Hill Johnes VC attacking the  enemy © By permission of Llyfrgell Genedlaethol Cymru / The National Library of Wales

The exhibition traces the social and political complexities of the India-Wales relationship. Highlighting Imperial connections (through war, trade and language), it also probes other equivalences. If Wales is England’s Internal Colony, as India was once an External one, what can we learn from comparing the two? The exhibition considers the visual symbolism of both Imperial subjugation (the Indian Tiger dominated by the Lion of Britannia; the Red Welsh Dragon pitted against the White Dragon of England) and national awakening. Just as Indian independence movements were inspired by ideas of Mother India, similarly Welsh nationalism clings to the skirts of Mother Wales.

TRIVEDY, Daniel, From the A Tiger in the Castle series at Powis Castle [still] © Daniel Trivedy

Courtesy of the Artist

Photograph of the Hussainabad Gate, Lucknow, from Richard Glynn Vivian's Travel Album: India 1871

New commissions by contemporary artists (such as Goa-based performance artist Nikhil Chopra) have been supported by CELF, National contemporary art gallery for Wales.

Glynn Vivian’s intersectional community textiles group, Threads, has been working with international artist Adeela Suleman, who lives in Karachi, Pakistan, and Swansea-based Menna Buss, to produce an artwork in response to Suleman’s own large scale tapestry, commissioned for the exhibition.

KHAN, Bushra Waqas, Breacon, 2025 © Bushra Waqas Khan

Courtesy of the Artist

WALAYAT, Alma, Queen Victoria Hunting Bengal Tiger, 2021 © Alma Walayat

Courtesy of the Artist

The exhibition is curated by Glynn Vivian’s Exhibitions Officer, Katy Freer, and art historian Dr Zehra Jumabhoy at University of Bristol. Jumabhoy’s research was funded by a Paul Mellon Centre for British Art Curatorial Research Fellowship.

The exhibition is grateful for support from the Arts Council of Wales, Taimur Hassan Collection; Canvas Gallery, Karachi; Grosvenor Gallery, London; Chatterjee & Lal Gallery, Mumbai, and Chemould Prescott Road, Mumbai. The accompanying book, with Tigers & Dragon’s Curatorial Essay by Zehra Jumabhoy as well as texts by Pakistani art historian Salima Hashmi and Welsh artists Iwan Bala and Peter Finnemore, will be published in collaboration with Hmm Foundation with a grant from Seher and Taimur Hassan.

The Threads project has been funded by Arts Council of Wales Create Grant.

There will be a full programme of workshops, talks and events throughout the exhibition, beginning with a performance by Nikhil Chopra on Friday 23 May. Visit www.glynnvivian.co.uk for more information.


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