Projects & Exhibitions

Personal Landmarks

Michal Iwanowski

12 June 2025 | Minute read

6 drawings of David Nash's Wooden Boulder in various Locations

NASH, David Nash, Wooden Boulder Series © David Nash. All Rights Reserved. DACS 2025/Amgueddfa Cymru - Museum Wales

David Nash (1945-) lives and works in Blaenau Ffestiniog. That’s where his most unusual ‘free-range sculpture’ was made. Wooden Boulder was carved out of an oak in 1978, and inadvertently embarked on an epic journey down the river Dwyryd, then out into open waters.

For years, David Nash monitored and documented the journey of the boulder, until august 2015, when heavy rains brought about unusually high tides that dislodged the sculpture from what seemed to be its permanent home in the upper end of the Dwyryd estuary. It hasn’t been seen since then, its position in the landscape is yet to be rediscovered.

For this activity I have selected the work of David Nash because I am interested in how landmarks allow each of us to feel familiarity within our environment and connection to it. Be it a boulder you’re used to seeing every day, a tree, a lake, or a mountain on the horizon - all kinds of personal landmarks that affirm our belonging and connection to the land.

For me that landmark is a large stone in the village where I grew up, and where I no longer live. It has been there ever since I remember, and whenever I visit my parents, I like to pay my stone a visit, too. It makes me think about my past, friends, about the adventures I had in the surrounding fields and woods, and about the consistency of change. Like David Nash’s boulder, my stone has also changed its location, at the hands of local farmers who moved it out of the way of harvesters a few years ago. The stone now sits at the edge of a forest. You can see the photographs I have taken of it over the years. Each time it looks different, but I recognise it without fail.

For this activity, I invite you to think about your own landmark. Is there anything in your surroundings that immediately makes you feel connected and at home? A natural feature in the landscape? A manmade structure? A scenic view? Maybe a lake where you went fishing with your grandfather? Maybe an old tree you pass by on your way to school?

I invite you to make a documentation of this landmark, at different times, from different angles, in varying weather conditions. By creating a mini portfolio, you will build a portrait of your personal landmark.

Think about ways in which you would like to document it. David Nash used photography and drawings, but you might prefer painting, or writing, or perhaps a mixture of mediums? It is your landmark and you choose how to tell its story.

IWANOWSKI, Michal, Big Rock ©

Michal Iwanowski

Now it’s your turn.

Follow these steps:

  1. Identify your personal landmark.
  2. Once that is settled, think about how you would like to document it, how to best represent it. Through photographs on your mobile phone or SLR camera? Drawing? Painting? Writing? Sculpting? Whatever the medium, get your kit ready.
  3. Make a plan of how many visits you will pay to your landmark, and how many times you will document it. Set a realistic goal, perhaps between 4 and 8? Think of how the landmark changes according to light and weather conditions. Plan a morning and an evening visit, a sunny and a dreary day, etc. You may want to do it in the space of a week, or perhaps a much longer period, like the whole year? There is no rush.
  4. Once you have completed your documentation, think of a way to present it. If it is a set if photographs/drawing/paintings, perhaps a little booklet would be a good idea? It can be made digitally as PDF, or printed. It can also exist online on your Instagram or another platform.
  5. Once finished, you will need a camera (you can use your phone of course) to photograph your map. It is worth thinking about the photograph before you start making the map – what will be the easiest way to photograph it straight on, from above? If you need help, make sure to ask. Adults are usually quite helpful, especially the tall ones.
  6. The final step is to share it with us. We are very curious to see your personal landmark

Share

More like this

Wooden Boulder 1978-2015
Newport Museum and Art Gallery
Studio with Gloves at Storiel, see Library’s Collection in a New Space
Phoebe Murray-Hobbs, Community Loans Officer, National Library of Wales
Art in Hospitals: Powys Teaching Health Board
Sara Treble-Parry, Steph Roberts and Siân Lile-Pastore
Upstream
Julian McKenny
Small Seascape
Lucy Purrington
Thyrza Anne Leyshon: The Welsh Miniature Portrait Painting Icon
Imogen Tingey, Exhibitions Assistant, Glynn Vivian Art Gallery
Designing Welsh GIFs
Sioned Young, Mwydro
Artcadia
Barbara Bartl, Museum and Art Gallery Manager, Newport Museum and Art Gallery
Walking Home
Dagmar Bennett
The Wakelin family: supporting contemporary artists for 25 years
Andrea Powell, Exhibitions Assistant, Glynn Vivian Art Gallery
Helen Sear (b.1955)
Mari Griffith
David Nash (b.1945)
Mari Griffith
The Great Welsh Coal War
Maddie Webb, Works on Paper Curator, Amgueddfa Cymru - Museum Wales
A Sense of Place
Jon Pountney
Toriad
Ffin Jordão
Conserving George Poole’s Paintings
Sarah Bayliss, Senior Paintings Conservator, Amgueddfa Cymru - Museum Wales
Frank Auerbach: Head of E.O.W
James Milne, CELF Art Technician, Photography by Rhian Israel, CELF
Ymson ar draeth
Iestyn Tyne
Tyrrau Mawr in Llanbedrog
Gwyn Jones, Alex Boyd Jones, Zoe Lewthwaite, Plas Glyn-y-Weddw
Working with an artist
Rhian Israel, Photography Officer, CELF
Craft Festival Town Trail
Rachel Vater, Gallery Assistant, Oriel Myrddin
Panopticon
Tina Rogers
The Everyday
Ayesha Khan
Maps, art and decolonisation
Ellie King, Assistant Maps Curator, National Library of Wales
Decolonising the National Art Collection
Morfudd Bevan, Art Curator, National Library of Wales
Idyll and Industry: Curating the exhibition at the National Library of Wales
Mari Elin Jones, Interpretation Officer, National Library of Wales
Under Falling Water
Geraint Ross Evans
An Elevated View
Geraint Ross Evans
'Arhoswch adre'
Gwynfor Dafydd
Protest Postcards
Osian Grifford
David Garner: Weeping
Nicholas Thornton and Ceri Jones, Amgueddfa Cymru - Museum Wales
Storiel: Artist Commissions
Esther Elin Roberts, Visual Arts Officer, Storiel
Scrap Fabric Collage
Ella Louise Jones
Teulu (Family)
Ffion Rhys, Curator, Aberystwyth Arts Centre
Teulu (Family) Exhibition, Aberystwyth Arts Centre
Ffion Rhys, Curator and Elin Vaughan Crowley, Artist - Aberystwyth Arts Centre
Oriel Myrddin: Artist Commissions
Rachel Vater, Oriel Myrddin
Arnofio
Arddun Rhiannon
Geng Xue (b.1983)
Mari Griffith
New poems by pupils across Wales
Sean Kenny, Senior Learning Officer, Amgueddfa Cymru - Museum Wales
Dhruva Mistry: From study to sculpture
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
Behind the Scenes: Conservation
Sarah Bayliss and Kitty Caiden, Amgueddfa Cymru - Museum Wales
Con Brio Centrepiece: A P&O Makower Trust commission
Andrew Renton, Head of Design Collections, Amgueddfa Cymru - Museum Wales
Cyfoes Exhibition: National Library of Wales
Morfudd Bevan and Nia Dafydd, National Library of Wales
Artes Mundi 10: A new work for the Derek Williams Trust and Amgueddfa Cymru
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
Yr Eda
Llio Maddocks
Comparing two artists: John Selway and Denys Short
Nicholas Thornton, Head of Fine and Contemporary Art, Amgueddfa Cymru - Museum Wales
A new acquisition: David Shrigley's Pulped Fiction
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
New British Sculpture of the 1980s
Jennifer Dudley, Art Collections Management and Access Curator, Amgueddfa Cymru - Museum Wales
Broken Yet Beautiful
Apekshit Sharma, Curatorial Intern, Amgueddfa Cymru - Museum Wales
Five Minutes
Mari Ellis Dunning
Swyn I
Efa Lois
Gesiye (b. 1992)
Mari Griffith
Pendant
Lydia Niziblian
Smatters of the Heart
Tanyaradzwa Chiganze
What Can you Do in a Gallery?
Sean Kenny, Senior Learning Officer, Amgueddfa Cymru - Museum Wales
Hands on Heritage: Demystifying Acquisitions
Neil Lebeter and Umulkhayr Mohamed
The Rules of Art? A discussion with artist Caroline Walker
Carys Tudor, Digital Curator: Art, Amgueddfa Cymru - Museum Wales
Welsh Football and Art
Sean Kenny, Senior Learning Officer, Amgueddfa Cymru - Museum Wales
The Rules of Art?
Neil Lebeter