Degas modelled numerous figures, more as an independent exploration of form than a preparatory stage in the production of finished sculpture. In 1919-21 bronze editions of 73 figures found in his studio were produced by the Hébrard foundry. Originally modelled around 1890, this figure reflects direct observation and a knowledge of Classical and Renaissance sculpture. Gwendoline Davies purchased this cast in 1923. Comments from Sarah, an 18 year old student: In the Degas, this movement is expressed in every part of the body; in fact, it’s as though he’s chosen this pose to celebrate the graceful way the body moves as the woman looks at her foot whilst keeping balance. I particularly like the realistic position of her shoulder blades.