This site uses cookies to improve your experience. View our Cookie Policy
Preferences

Cookie Preferences

Essential

These cookies are absolutely essential for our website to function properly.

 

Cookies that measure website use

We use Google Analytics to measure how you use the website so we can improve it based on user needs.

 

Cookies that help with communications and marketing

These cookies may be set by third party websites and do things like measure how you view YouTube videos.

 
 
View our Cookie Policy
×

Image filter options
This is a new website and is still being developed.
Artworks Themes
Projects & Exhibitions Cynfas Articles Learn
About Us Contact Us
Cy
Artworks Themes Projects & Exhibitions Cynfas Articles Learn About Us Contact Us
Previous Artwork Next Artwork

Part IV

BONE, Muirhead
Part IV
Image: By permission of Amgueddfa Cymru — Museum Wales
 Zoom

We have a duty of care to all our audiences. This website draws on legacy collections data. We recognise that some of this information may be outdated or discriminatory and we're currently working to review our records. If you have any questions or comments on an artwork, please contact us.

Copyright statement provided by Amgueddfa Cymru – Museum Wales

Details


Collection

Amgueddfa Cymru – Museum Wales

Item Number

NMW A 13251

Creation/Production

BONE, Muirhead
Bone was born in Glasgow and studied at Glasgow School of Art. He settled in London in 1901. He was an official war artist in 1916-1918, and the official Admiralty artist in 1939-1946. As one of Britain’s leading draughtsmen, he was renowned for the almost photographic detail he achieved in his drawings. As well as recording the First World War on the Front, Bone spent time on the Clyde in Scotland, documenting shipbuilding. Bone was knighted in 1937.
Role: Artist

Measurements

h(cm) sheet size:38.3
h(cm)
w(cm) sheet size:50.9
w(cm)
h(cm) image size:21
h(cm)
w(cm) image size:36
w(cm)

Material

Coloured inks
Paper

Location

In store
More

Tags


  • Fine Art
  • Post 1900
  • Prints
  • Ship And Boat
  • Works On Paper
  • World War I

Share


More like this


Amgueddfa Cymru - National Museum
Whites doves feed at a house on the Hindustan Tibet Road
PHILLIPS Gareth
© Gareth Phillips/Amgueddfa Cymru - Museum Wales
Amgueddfa Cymru - National Museum
Madonna and Child
DÜRER, Albrecht
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
Our village
GOTCH, Bernard
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
Plan of Stonehenge
CARTER, John
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
Plan of Stonehenge
CARTER, John
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
Sheet of studies
POYNTER, Sir Edward
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
Untitled
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru - Museum Wales
Amgueddfa Cymru - National Museum
South Stack Lighthouse
HUGHES, Hugh
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
We’re working on releasing this image.
Thistle
MURRAY, William Grant
Amgueddfa Cymru - National Museum
Sleeping Bird I
SUTHERLAND, Graham Vivian
© Estate of Graham Sutherland/Amgueddfa Cymru - Museum Wales
Amgueddfa Cymru - National Museum
Mahader with Parvati
KALIGHAT WORKSHOP
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
<p>Kalighat Art is a form of folk art inspired by Pattachitras, prevalent in Bengal and across India for over a millennium. Both art forms involve trained and amateur artists, often family members collaborating on creating art.</p> <p>The name "Kalighat '' is derived from the Kalighat market situated near the Kalighat Temple along the BuriGanga River, historically a significant trade centre in East India for centuries. Initially, this art style depicted 'History Painting,' later evolving into 'Genre Painting,' capturing the Babu Culture during the early colonial period in Bengal. Here, intriguing parallels emerge between Western art and Kalighat art.</p> <p>While the themes and stories depicted in Kalighat paintings have evolved, the artistic style has remained consistent over time.</p> <p>This caption was written by Kiran Cymru.</p>
KALIGHAT WORKSHOP
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
Sandstorm
RAVILIOUS, Eric
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
St Thérèse of Lisieux and her Sister
JOHN, Gwen
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
St Thérèse of Lisieux and her Sister
JOHN, Gwen
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
St Thérèse of Lisieux and her Sister
JOHN, Gwen
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
St Thérèse of Lisieux and her Sister
JOHN, Gwen
By permission of Amgueddfa Cymru — Museum Wales
Amgueddfa Cymru - National Museum
Visually the most Irish part of Ireland. The coast around Slea Head is one of the most beautiful in Ireland. Killarney. Ireland
HURN David
© David Hurn / Magnum Photos / Amgueddfa Cymru - Museum Wales
Amgueddfa Cymru - National Museum
Farmer and Dog
WILLIAMS, Kyffin
© Llyfrgell Genedlaethol Cymru - The National Library of Wales / Amgueddfa Cymru - Museum Wales
Amgueddfa Cymru - National Museum
Head and Torso of a Woman
JOHN, Augustus
© Estate of Augustus John. All Rights Reserved 2025/Bridgeman Images/Amgueddfa Cymru - Museum Wales

  • Artworks
  • Themes
  • Projects & Exhibitions
  • Cynfas Articles
  • Learn

The Website

  • About Us
  • Accessibility
  • FAQ
  • Copyright
  • Cookies Policy

Connect with us

  • Contact Us
  • Instagram @celfarycyd
× ❮ ❯